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Book of Serenity, Case 36: Master Ma Is Unwell

Kusen Collaboration Book of Serenity Case 36, artwork by Blair Thomson

The Case: One day, Master Ma’s personal attendant asked him, “How is the master these days?”

Master Ma answered, “Sun Face Buddha, Moon Face Buddha.”

This case is also Case 3 in the Blue Cliff Record.

Master Ma is Mazu or Baso, who along with Sekito, is one of the great masters of 8th Century Chinese Zen. The reference to “Sun Face Buddha, Moon Face Buddha” comes from the Buddha Names Sutra, where Sun Face Buddha is said to have a lifespan of 1800 years, and Moon Face Buddha has a lifespan of only one day and one night. Baso would die shortly after this exchange.

On the face of it, Baso is talking about two aspects of his experience, and of all our experience, namely that from one perspective we experience our lives as particular and  karmic, limited in place and time. And from the other, we experience ourselves as part of the great body of all being, unlimited, universal. Rather like we may see a particular stitch on cloth as being, on the one hand, just that particular stitch, and on the other hand, part of the fabric of great being, so we can see our lives in the same way.

It seems to me that we can also look at the answer in another way, which is pointing out two aspects of experiencing non-duality. 

When we experience things in sunlight, everything in this vast world is illuminated, except for the sunlight, which is invisible. We see the manifold vibrant things of the world, but the light of the Self is invisible. 

In moonlight, by contrast, we see all the things on which moonlight shines as being somehow part of the moonlight. They lose their distinctiveness and their separateness and they all become part of the moonlight.

Similarly, I think when we are in Zazen, sometimes the Self drops away and we’re aware of this vast dynamic world, this vast body of all-being. And other times, our experience is quite different. It’s quite soft and intimate, particular in both place and time. It’s as if the whole of existence is taken within the soft light of the non-egoic Self and the world, as it were, disappears.

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256. You are nothing like me

Master Rinzai said that there is a true person who is always coming and going through our face.

Rinzai is, in his own vivid and embodied words, talking about Buddha nature, non duality and so on. And whether this dart of his own words finds a gap in the armour of the Self for you, who knows? But either way, his authentic and heartfelt expression is this true person.

Buddhism has no interest in how the world is constructed. It is not science. It is not psychology. It is not religion.

Its interest in truth is in the truth of you as a human being: who you are, what you can be, and how you can express yourself, and your enfoldment within this greater being of all things. The you that is like a little bird singing.

I am nothing like my teacher and you are nothing like me – because the function of a teacher isn’t to make you like them but to make you like you, because – not you but this ‘you’- is the true person.

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250. Wall Gazing

Why do we sit facing the wall?

We can say that we’re following Bodhidharma who, after his encounter with The Chinese Emperor, went to Shaolin Temple and “sat facing the wall” for 9 years.

Classical Chinese is very terse. The characters simply say “ wall gazing”. This can certainly mean gazing at the wall, or, slightly less literally, facing the wall, but they can also mean, amongst other possibilities, gazing like the wall.

And how does a wall “gaze”? Steadfastly and with non discrimination, allowing all things to be, maintaining the room of the world.

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231. Dahui

Dahui, the 12th Century Chinese Master, said that Soto practitioners stagnated in Emptiness. What he meant by that was to say that our tradition over emphasised tranquillity and lacked insight, wisdom. It’s a criticism which was repeated by his Rinzai successors, most famously by Hakuin.

Is the criticism fair?

Certainly, in response to it, there has been a sporadic but persistent response within our tradition which attempts to create an atmosphere of dramatic urgency, which no doubt does curtail tranquillity, but for what benefit? We are earnestly told that we must practice zazen as if our life depended on it. Does it? Isn’t the truth that our life hangs by an infinity of single threads, yet we do not fall?

Further, we are periodically given false instructions to breathe in a prescribed way to develop power in our hara, lifted straight from Rinzai, as if that could be done with a non gaining mind.

Dahui’s criticism of these kind of practitioners is too mild. It’s not even drama. People who teach in this way are the rear end of a pantomime horse.

But the criticism generally is not fair.

This body is not the possession of the self. The self appears and disappears within this body. The breath, liberated from the grip and pull of the self, can express itself fully. Likewise all things. Likewise, all things.

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Blue Cliff Record, Case 42 (adapted)

The Case:

When Layman Pang left Yao Shan’s monastery, the Abbot ordered ten of his senior monks to accompany him to the temple gate. As they approached the gate, snow started falling. Layman Pang said, “These are good snowflakes. They only fall here.”

One of the monks asked him, “Where do they fall?”

Layman Pang replied, “Even though you are a zen monk, the King of Death won’t let you go”

Commentary:

In Suchness, it is not that we disappear. Rather, boundaries disappear. Separation disappears. Without erasing difference, all things participate in the wholeness of this moment.

The King of Death appears in many forms. If it were just one form, we could see him easily. In this case, the monk takes Layman Pang’s simple statement of wonder and gratitude – the snowflakes do not fall on the monastery, they do not fall on the temple gate, they fall here – and misunderstands it, as a game, as an invitation to dharma combat, or something similar.

It is not just the snowflakes, obviously. Everything is falling and rising here, and the mind which places this here within a greater everywhere does so from a dream.

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213. A true person of no rank

Master Rinzai said that there is a true person of no rank, always entering and leaving, through our face.

It is tempting to interpret this as fantastical or symbolic, rather than a description of actual experience.

Note that he didn’t say the heart – which extends everywhere – but the face.

People often imagine that underneath all our conditioning is a true person, and the purpose of spiritual practice is to get there, but Rinzai’s expression is entirely contrary to that. The true person is not you. They are not someone else.

It is as if metallic casts of our masks were suspended in Emptiness, like wind chimes.

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195. This great person

In the Avalokiteshvara chapter of the Shobogenzo, there is a famous exchange between Master Ungan and Master Dogo about how best to describe the bodhisattva of compassion.

When asked by Dogo, Ungan describes Avalokiteshvara in a particular way. Dogo then says “your words describe the situation nicely, but only about eighty or ninety percent”, and then gives his own description.

Dogo’s description seems better, but if we think that he’s described the situation perfectly, or at least better than Ungan, we’re missing the point.

There’s always something missing. And because of that, the Dharma will not perish.

It is not that there aren’t teachers and students, but we need to understand what a teacher is.

He’s not someone who shares his knowledge. That’s a scholar. Neither is he someone who shares his wisdom. That’s a guru. It’s not that there isn’t a difference between teacher and student, but only in function, not essence.

They are like 2 points, which delineate a whole person, a great person. This real person fully occupies the Buddhist space, moving forward and backward, according to circumstance. Sometimes he is the teacher and student. Sometimes the sangha. Sometimes the whole world.

The teacher is not a great person, but sometimes he is part of a great person. The responsibility of a teacher is to teach with great vigour for the rest of his life. Not from his own vigour, which is puny, nor from the vigour of his student, which is likewise puny, but from the vigour and expression of this great person, which is inexhaustible.

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181. The sixth ancestor

All the Zen lineages trace their ancestry back to the sixth ancestor Huineng, who, so the story goes, obtained a secret transmission from the fifth anscestor Hongren. In the story, Hongren asks his monks to write a poem about zazen. His chief disciple, Shenxiu, was the only one who responded. Huineng criticised the poem. In response, Hongren recognised Huineng as his true successor, and gave him transmission.

This is the poem, as often translated into English:

The body is the bodhi tree
The mind the bright mirror
At all times we should polish it
And not let dust collect

However, the original Chinese reads something like:

Body is bodhi tree
Mind like clear mirror stand
At all times diligently polish
Do not let dust settle

When we first hear the poem in its normal translation, we imagine that Shenxiu is talking about your body and your mind, and that your mind is like a bright mirror which needs to be kept clear of the dust of thoughts by the effort of Zazen. That ties in with an individualistic, mindful, psychological sense of what zazen is.

Except, the poem doesn’t actually say that.

Let’s consider the actual text.

The body is the bodhi tree. The bodhi tree is the tree under which the Buddha attained his enlightenment. So it is associated with that, obviously. But also, it is an unusual tree because it’s hollow. So it’s also a symbol of interdependence.

Is this the personal body, or not? Or both? Or neither?

When we hear that the mind is like a mirror, we form an image of a mirror, on a stand, in a room, that we polish through our effort, and so keep bright. But where in this image is the bodhi tree? Is it in the room, with the mirror, or not? And shouldn’t the (personal) body be the stand of the mirror? And what is the stand anyway, and how does it relate to the mirror/mind?

The original text doesn’t make clear who or what is being polished. The translations do, and it seems clear why. What would we be polishing, if not a mirror? It’s obvious, isn’t it?

But obviousness is the co-conspirator of deception.

If we rephrase it as something like “with vigorous effort, the dust does not settle anywhere”, we may start to get somewhere.

If dust appears in vast space, moved here and there by the vigorous life of the air, both illuminated by light, there’s no problem. The problem arises when the dust settles. Not because it becomes anything different, but because space is eradicated. There’s just dust, and the dust becomes fixed. And what it comes to rest on becomes fixed too, as ‘me’, ‘objective world’, ‘mirror’, and so on.

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Blue Cliff Record, Case 63

The Case: at Master Nansen’s temple, two groups of monks were arguing about a cat. Nansen held up the cat and said “If you can speak then I will not kill it”. The monks were silent. Nansen cut the cat in two.

Commentary:

1. Who is the one person within the temple who carries a sword? Manjusri, the bodhisattva of wisdom. He sits on the altar, atop the lion of courage.

1.1. So is it a real sword? Or a real cat? Given that a humble pillow can symbolise dependent origination, what more could a cat signify? What are monks really likely to be arguing about?

2. Dogen, in Zuimonki, asks his students what they would have said in response to Nansen’s demand. And then volunteers that he would have said to Nansen, “Why don’t you cut the cat into one?” Wouldn’t you be happily cut in two if you could say something this brilliant?

2.1. Isn’t Dogen’s point that the cat -reality- has already been cut in two? Nansen does not kill it, because it has already been ‘killed’ by the sword of duality, wielded by the disputatious monks. But Manjusri’s sword is different. It cuts into one. How?

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167. The Shin Jin Mei

The Shin Jin Mei, The Verses of Faith Mind is attributed to Sosan, the Third Patriarch. The first line is “The Great Way is not difficult, only avoid picking or choosing.”

Well, we may readily think Sosan is being ironic, because when we start practicing, The Great Way seems very difficult indeed. Not just difficult, but impossible to see at all. It’s as if all we experience is a repetitive cascade of thought and emotion.

Yet somehow, with enough practice, we will step through this, and then The Great Way will be visible. And will be ours.

Sosan uses the term ‘faith mind’, because the faith is that this mind, this body, this experience is Buddha.

And we don’t see that, because in encountering what we deem this repetitive cascade of thought and emotion, we have already stepped forward into duality.

Our task is not to imagine that we can step forward further, this time into non duality, wholeness, but rather to fall backwards –