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Kusen

This very mind itself is buddha

Is it a mandarin duck
Or a seagull bobbing?
I can hardly tell:
White plumes rising and falling
Between the standing waves

This poem by Dogen is entitled ‘This very mind itself is Buddha’

When buddhists say that mind is Buddha, or world is mind, or suchlike, they don’t mean that the world is inside your head. They mean that there is no ‘inside’. Everything is this one piece of exertion/expression.

We are not caught by our imaginings, floating in front of us like gossamer, but by ‘reality’. The world is not a corpse, waiting to be identified truly or falsely. It is the illuminating cascade of momentary expression/exertion. In this moment, the duck. In this moment, the seagull. In this moment, the drumming of the rain. In this moment, the flooding of the heavens.

If you wish to lift up the head of the world, lift this head.

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Kusen

Book of Serenity, Case 48

The case:

Vimalakirti asked Manjusri

‘What is a Bodhisattva’s method of entering non duality?’

Manjusri said, “according to my mind, in all things, no speech, no explanation, no direction and no representation. Leaving behind all questions and answers. This is the method of entering non duality.”

Then Manjusri asked Vimalakirti – ‘What is the Bodhisattva’s method of entry into non duality?’

Vimalakirti was silent.

There are three senses of Satori, Enlightenment, and this koan deals with the first. It is sometimes called Practice/Realisation, or Practice/Verification.

Both are an abbreviation of a longer phrase, which means hearing, accepting, practicing, verifying. So: we hear the Buddha’s teachings on non duality, we accept these teachings, we practice, and through practice those teachings are verified as true.

The story is a representation of the mind and sincere practice of Vimilakirti, although there appears to be two people. But Manjusri of course is not a person, but is the Bodhisattva of Wisdom.

And the two questions are subtly different.

Vimalakirti asks ‘What is the Bodhisattva’s method of entering non duality?’
So this refers to the teaching stage. Which is why Manjusri answers.

But Manjusri’s question, ‘What is the Bodhisattva’s method of entry into non duality?’ is the practice stage. Which is why it is met with silence.

So neither answer is the right answer, but the story portrays a progression from teaching to practice.

The teachings are the door that we have to go through, but we have to let go of the handle to experience the vast room.

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Kusen

134. An Empty House

Sekiso said that Enlightenment is like a thief breaking into an empty house.

Many people talk about practice as the cultivation of something: wisdom say, or compassion.

Is the thief trying to find the gold, or trying to find the light switch? Either way, he’s a thief.

We need to understand that practice is not the cultivation of compassion. It’s not the cultivation of anything.

It is compassion.

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Kusen

130. Bring Me Your Mind

Artwork by Blair Thomson
Kusen 130 collaboration ‘mountains and waters no.290’ by Blair Thomson

Eko said to Bodhidharma, “My mind is not at peace, please pacify it.”

Bodhidharma said, “Bring me your mind and I will pacify it.”

After a while Eko said, “I have looked everywhere for my mind and I cannot find it.”

Bodhidharma said, “There! I have pacified it.”

In Eko’s question, we might easily pass over the most important word, ‘My.’ ‘My mind’ — but if we don’t pass over it, if we see the fiction of ‘my’ mind, ‘my’ experience. What is there to pacify?

We should be grateful for everything in the flood of experience, because it is that, and that alone, which clarifies the great matter.

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Kusen

123. Emperor Wu

When Bodhidharma went to China, according to legend, he met with the Emperor. The meeting is usually recounted in this way:

Emperor Wu said to Bodhidharma ‘I have built hundreds of temples, what is my merit? Bodhidharma answered, ‘no merit’. The Emperor then asked, ‘What is the highest truth?’ Bodhidharma replied ‘Unfathomable emptiness’. The emperor then asked, ‘Who are you?’ Bodhidharma replied, ‘I don’t know’.

So in its usual rendering, the Emperor is portrayed as a self satisfied bumbler, being put right by Bodhidharma, fearlessly speaking truth to power.

But, in classical Chinese it is impossible to say if a sentence is a question or a statement. So we can look at this exchange differently.

The words ‘what’ and ‘who’ are synonymous with suchness, emptiness. So the Emperor is simply living his life as a Buddhist Emperor, acknowledging that his only merit is suchness. And because this merit extends everywhere, it is ‘no merit’.

And the Emperor’s final statement is not ‘who are you?’ but rather You are Who, that is: you are a person of suchness. And Bodhidharma’s response is suchness isn’t our personal possession.

Bodhidharma then left, going to Shaolin temple and sat facing the wall for 9 years.

What wall was he facing?

Whose eyes are seeing that wall?

Who are you?

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Kusen

118. Ordinary Mind is The Way

Master Baso famously said, “Mind is Buddha.” He also said, ” Ordinary mind is the way.”

These remarks have been spectacularly misinterpreted. Otherwise sensible people claim he is saying that the nature of reality is mental, or that the self is Buddha, or similar nonsense.

By ‘ordinary mind’ he didn’t mean the karmic mind, the creator of dualities, the storybook of the self. By ‘ordinary’ he meant what is immediately available to us, if we cease our habitual dualistic behaviour.

This ‘ordinary’ mind is like a fragment of sky, it extends everywhere.

The issue is not whether you are illuminated, or not illuminated.

Everything is illuminated.

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Kusen

106. The Gates of our Face

Rinzai said that there is a true person, entering and leaving through the gates of our face.

We often have the experience of our karma as being a kind of mask, stuck to our face, us mute behind it. And with the thoughts experienced when sitting, similarly it’s a kind of mask or screen. It’s as if our craziness and our normality hovers in front of us, like a fog, like a mask. The temptation is to wish it to be something different. To become the face of compassion. The face of Buddha.

If we think in this way we are still entirely within our karma. But if we can drop our aversion, then there is the possibility of illumination. Sometimes the mask, sometimes the face.

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Kusen

The Gateless Gate, Case 24

The Gateless Gate, Case 24

The case: A monk asked Feng- hsueh, “Speech and silence are concerned with equality and differentiation, how can I transcend equality and differentiation?”

Feng- hsueh replied, “I always think of Chiang-nan in March, Partridges chirping among the many fragrant flowers.”

Commentary:

In this koan story, the monk is asking a clear question about Buddhist Doctrine. The master replies with what appears to be a complete non-sequitur, quoting a poem, which isn’t even his own poem. So one might imagine that the monk is asking an intellectual question and the master is trying to defeat it. But perhaps we are better seeing the monk’s question as exemplifying him having a particular, heroic idea of practice. Smashing through barriers. The master is balancing – not correcting- that understanding by simply expressing his present feeling state.

If as practitioners our attention is always on progress, like a fly trying to find where there is no glass, we pay no attention to the ground, the ground of our feeling being. Which is not heroic, but real. Not somewhere in the future, but now.

The thinking mind freezes all things, and itself. Everything can be seen yet nothing can be felt. Our practice is a kind of thawing out, a softening, despite ourself.

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Kusen

The Gateless Gate, Case 41

The Gateless Gate, Case 41.

The Case: Eko approached Bodhidharma and said, ‘My mind is not at peace, please pacify it.’

Bodhidharma said ‘bring me your mind and I will pacify it.’

After a while Eko said, ‘I’ve looked everywhere for my mind and I can’t find it.’

Bodhidharma said, ‘There, I have pacified it.’

Commentary: People, looking at us, might imagine that we are trying to remove something, like a person, inside a house, might want to clear the dirt from the window to enable him to see the world clearly. But there isn’t a person, and there isn’t a house either. The self is the dust cloud, innocently wishing the window clear; the wound, thinking some more picking will heal it.

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Kusen

The Gateless Gate, Case 7

The Gateless Gate, Case 7.

The case: A monk said to Joshu, “I’ve just arrived at the monastery, please teach me”.

Joshu said, “Have you eaten your rice?” The monk said, “yes I have.” Joshu said, “Then wash your bowl.”

Commentary: In the Chinese monasteries the monks would eat a kind of rice gruel, vegetables would be cut very small and the gruel – the rice and vegetables – would be cooked and cooked until everything interpenetrated each other. So, the gruel was a symbol for dependent origination, the whole cosmos.

And before the monks could eat, they would chant, and that chant would express gratitude for the rice and an acknowledgement of where the food came from; an acknowledgement that the whole universe was feeding them. So the gruel was also the reality of dependent origination.

Likewise, in the bowl of this bodymind, our experience, all of it, is like this rice gruel. Our experience now, all of it, is given to us by this entire universe. If we reject it, it will putrefy. If we cling to it, it will never be digested. To wish it different is a wrong view, because it is an expression of the whole universe, this miracle of something rather than nothing.