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Kusen

The Gateless Gate, Case 1

The Gateless Gate, Case 1.

The case: A monk asked Joshu “Does a dog have Buddha nature?”

Joshu said “Mu” (no).

Commentary: There is an assumption buried within the question, which isn’t immediately obvious. But consider: why didn’t the monk ask ” Does Buddha nature have the dog?” ” Does Buddha nature have you?”, “Is Buddha nature all of creation?” or similar?

He did not because he assumed that the aim of spiritual life is the enhancement and enlightenment of the self, the steady or sudden uncovering of a jewel within us.

This colossal mistake is endemic. We need to understand that the aim of practice isn’t the liberation of the self from the world, but the liberation of the world – all of it – from the self. Enlightenment is universal, not personal.

We are like snow falling.

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Kusen

The Gateless Gate, Case 5

The Gateless Gate, Case 5.

The case: Hsiang- yen said: “It is just as though you were up a tree, hanging from a branch with your teeth. Your hands and feet can’t touch any branch. Someone appears beneath the tree and asks, “What is the meaning of Bodhidharma coming from the West?” If you do not answer, you evade your responsibility. If you do answer, you lose your life. What do you do?”

Commentary: How many are in this story: two, one, or many?

Sometimes, when we sit, we feel completely concentrated and unified. Like the man holding onto the branch with his teeth, our complete effort in this moment occupies the whole space.

Then, it is as if, from within our experience someone, someone just like us, asks a question, makes a statement, or something similar. It is as if we are suddenly divided. Do we ignore it? Do we engage with it? Either way, we appear to fall into duality.

We need to understand that just as the man holding onto the branch is making a complete effort, just as the branch and the tree are making a complete effort, so the questioner is making a complete effort, entirely expressing his nature. We imagine a response is called for, but we are mistaken.

Likewise with delusion.

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Kusen

Book Of Serenity, Case 36: Master Ma Is Unwell

Book Of Serenity, Case 36: Master Ma Is Unwell

The Case: Master Ma was unwell. The monastery superintendent asked, “Master, how is your venerable state these days?”
The Great Teacher said, “Sun face buddha, Moon face buddha”

Commentary: “unwell” is a euphemism. Master Ma (Baso) was mortally ill, and died the following day.

Sun Face Buddha was said to have a lifespan of 1800 years. Moon Face Buddha lived only one day and one night. Baso is talking about two aspects of experience, once our egoic self concern has dropped away.

The Universe can only express itself through each thing. If there were no things, there would be no light.

Sometimes, we are very aware that we are expressing something universal through this fragile, transient body. The Moon illuminates itself, and everything it casts its light on becomes part of it.

Other times, we forget this body, and are simply part of this illuminated world.

The light can only shine through each thing, and each thing will break.

The light will not break.

Artwork by Blair Thomson
Artwork by Blair Thomson
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Kusen

Book of Serenity, Case 9 (adapted)

If we imagine that we have to excise our delusion, we are already divided. How can more cutting make us whole?

Book of Serenity, Case 9 (adapted)

The Case: Two sets of monks were arguing over a cat. Master Nansen, seeing this, held up the cat and said “If you can express something, I won’t cut it”

The monks said nothing. Nansen cut the cat in two.

That evening Nansen told Joshu what had happened. Joshu removed his sandals, put them on his head and left the room. Nansen said “If you had been there, the cat would have been spared”

Commentary: Dogen talks about this koan with Ejo in the Zuimonki. There’s no doubt that Dogen thinks that Nansen’s killing of the cat was regrettable, and he imagines, if he had been one of the monks, what he would have said in response to Nansen’s challenge. He says that he would have asked Nansen “Why don’t you cut the cat in one?” It’s such a brilliant remark that Ejo doesn’t understand it. The One-ness alludes to dependent origination obviously, both in terms of the cat, and in Nansen’s obligation as a teacher to unfragment his monks.

Both Nansen and the monks are caught: the monks are caught in duality: Because of their anxiety to say the ‘right’ thing to save the cat, true expression is impossible. But Nansen is trapped into carrying out his threat: unlike Joshu, his lack of flexibility necessitates him doing what he said he would: so we can’t say that if one of the monks had been like Joshu the cat would have been saved, because we can equally say that if Nansen had been like Joshu, the cat would have been saved too. Joshu demonstrates a deficiency in expression in both Nansen and the monks.

In Dogen’s remark, we can see a similarity with his interpretation of the polishing a tile story: activity and expression are two aspects of wholeness. Manjusri’s sword isn’t separating; it’s the whole active Universe expressing itself as a sword, as a cat, as undivided activity, as expression.

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Kusen

Practice Instructions

Practice instructions: The different aspects of practice are different facets of non duality.

When we sit, we are just sitting. The mind, body and universe are this single piece of just sitting.

We completely exert ourselves, moment to moment, to cease this mental fabrication. Exertion is illuminated. The ground is equanimity.

When we do kinhin, we completely experience ourselves. We feel our feet on the ground, the push of the earth travelling through us, our intimacy with all beings, our complex aliveness. Experience is illuminated. The ground is joy.

When we chant, together, we are completely focused on wholehearted expression. Everything is illuminated. The ground is redemption.

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Kusen

102. Illumination

The complete combustion of each moment is the illumination of the universe.

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Kusen

Shinji Shobogenzo, Book 1, Case 8 (abbreviated and adapted)

Shinji Shobogenzo, Book 1, Case 8.

The Case (abbreviated and adapted):

One day Master Nangaku saw Master Baso practicing zazen and asked him, “What is your intention doing zazen?”

Baso said, “My intention is to become a Buddha”

Nangaku picked up a tile and started to polish it on a rock. Baso, astonished, asked what he was doing.

Nangaku said, ” I am polishing the tile to make a mirror”

Baso said ” How can polishing a tile make it a mirror?”

Nangaku said, ” How can sitting make you a Buddha?”

Commentary:

This is a very significant story, covering a mass of issues: intention, original enlightenment, time, cause and effect, and many others, but I would like to comment simply on Nangaku’s action.

A mirror is often used in Chinese Buddhism as a symbol of dependent origination. Just as when we look in the mirror and see lots of apparently distinct and separate things, when really it’s all the wholeness of the mirror, so it is with reality.

Nangaku doesn’t say he’s making the tile into a mirror, he says that he is making a mirror. The wholehearted act of polishing, or sitting, makes the mirror. Is the mirror. The static nature of the symbol is made dynamic. The tile stays a tile, yet the mirror is actualised, even although the tile can’t see it.

The tile can never see it. Other than with the mute eyes of the heart.

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Kusen

101. The most wonderful thing

Hyakujo is asked by a monk, “What is the most wonderful thing in the universe?” and responds “Sitting here.”

Nyojo re-writes the response as, “Eating rice here”

Dogen comments “I would answer by raising high my staff here”

Hyakujo doesn’t mean that his temple is the best place to do zazen, or that zazen is the most special activity, which Nyojo underscores in his reformulation.

The important word is ‘here’. Something rather than nothing. Fully alive. The great miracle.

We call buddhism wondrous dharma because it can’t be grasped by the mind. That being so, it is completely immaterial if your mind is empty or full, pregnant with wisdom or stagnant with the familiar idiocy. The East Mountain walking isn’t perturbed by the clouds at all.

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Kusen

100. Mislocating Delusion

Delusion isn’t quite located where we think it is.

We imagine that it’s the apparently ceaseless thoughts and emotions which come up during sitting, but it isn’t. It’s our response. Uchiyama likened it to an ignorant person watching a play, mistaking it for reality, seeing a villain on stage, jumping up on the stage to remonstrate with the villain.

This is the practice. We keep finding ourselves up on the stage, realising what we’re doing, and leaving the stage, to sit with all beings.

That’s why an emphasis on consciousness is harmful, because we’re focused on the wrong thing. Whether we turn the mind from lead to gold, it’s still a headstone, weighing down on the body of the world.

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Kusen

Practice Intructions

For a long time, I’ve given this instruction to people coming to Zen for the first time:

“When you sit just try your very best to maintain a present awareness. Your mind will wander. If it does, don’t be harsh on yourself. Just bring yourself back to this moment. Sometimes, it’s helpful to focus on the breath, or on the various aspects of your posture..”

I’m not sure if these instructions, although they might appear helpful, actually are. They might suit someone who is prone to distraction or dissociation, but are less useful for someone prone to strong feelings or sensations. But more generally, I think the instructions match up with a ‘mindfulness’ perspective, giving great weight to ‘presence’ and ‘awareness’, setting that up as a kind of standard [against which practitioners will tend to judge themselves, and judge badly] but without really encapsulating what buddhism is about.

So I now prefer to say something like:

When you sit, just allow your experience to completely be. Don’t judge it. Don’t interpret it, Don’t make a story of it, just allow it to be. You’ll notice that your mind always wants to do something with this moment to moment experience. It wants to define it [‘now I’m feeling sad’]. It wants to locate it [‘I’m doing zazen looking at a wall’]. It wants to interpret it [‘I’m feeling sad because..’]. It wants to judge it [‘I’m very distracted’]. Your experience does not come to you packaged as thoughts and emotions. This is construction too.

This endless activity of the mind is what buddhists call samskara, which is often -and clumsily- translated as ‘mental fabrication’. Nirvana is, moment to moment, ceasing to do that, allowing something other than the constructed world and self to swing open and shut