In this video John continues his exploration of the concept of ‘expression’ in Buddhist practice.
“From the perspective of duality there is self and world, there are objects, there are forces which act on those objects there is interaction between object and so on. So from the perspective of duality expression is either not seen at all or is thought of as something peripheral.
However from the perspective of non-duality, expression is all there is, there is not a pre-existing world comprised of ‘things’ which interact and of which expression is a minor part, there is simply this dynamic expressive whole, constantly creative and constantly vivid”
Latest from GZG
This Buddha Field
In the Vimilakirti Sutra, the Buddha announces that this world is a Buddha field. Sariputra takes issue with this and notes that when he sees the world, he sees a world full of suffering. The Budha then touches the Earth with his big toe and the Earth is magically transformed into glittering diamonds and precious stones.
In this video John discusses this passage, and shows how the story is a poetic description of Zazen.
The Catarrh of the Self
Master Joshu said to his monks: If you remain in this monastery, practice Zazen assidiously for five years, ten years, even if you say nothing, nobody can say you are without expression.
In this video John examines what is meant by ‘expression’.
Kanzeon is the Japanese name for the Bohdhisattva of compassion, known more commonly as Avalokiteshvara or Kwan Yin. She is usually depicted as having many hands and eyes: the eyes see the suffering of living beings, while the hands work to relieve that suffering. In this video, John examines the imagery used to depict Kanzeon, and the deeper and more subtle meaning that is being conveyed.
Tathagatagarbha
One of the core ideas of chinese buddhism is that all living beings have buddha nature. This derives from a number of sutras, the pre-eminent one being the Tathagatagarbha sutra. In this video, John examines the concept of buddha nature using the evocative imagery of the word ‘tathagatargarbha’ [buddha womb/embryo] itself, to help clarify the concept .
We have one of our regular introductions this Saturday. They normally last for about 90 minutes and include an explanation of the theory and practice of zazen, the opportunity to do zazen and ask questions, and a general discussion. Once you come to this, you are very welcome to come to any of our events, including 7 opportunities a week to do zazen, and to seek Zoom guidance from John
This Dharma Position
In this video John examines a poem by Uchiyama Roshi:
though poor, never poor,
though sick, never sick,
though ageing, never ageing,
though dying, never dying:
reality prior to division,
here lies unlimited depth
The Buddha Vehicle
The buddhist state has nothing to do with thinking or willing. We’re not spiritual warriors.We are not on a hero’s journey. Yet because thinking and attempting to grasp reality with our minds is so much a part of who we are as human beings, buddhist teachers will use expedient means.
In this video John discusses expedient means and examines the parable from The Lotus Sutra of the burning house, which famously illustrates this concept.
More on Expedient means can be found in the links below:

禅 Zen or Chan, was developed as a new kanji (Chinese character) to translate Dhyana after Buddhism came into China, but brings in different elements into the character, such as the altar shape on the left, and the shapes on the right which have multiple meanings.
So it doesn’t exactly match Dhyana, the Sanskrit for meditation or awareness. You could view the kanji visuals as meaning: mind-heart in one place, tranquil; or, zen practice is an instant gateway to enlightenment. Depending on how much you look into it! This is a mysterious and graceful character to embrace, much like the Zen practice itself there is no single way to pin it down conceptually.
The first video is of two styles, the faster sosho and the older reisho, very varied!
In the Tensho style video – this style was originally carved before being adapted for the brush, so is a more linear style – I practiced this quite slowly and meditatively keeping a soft focus, and starting and ending with gassho 🙂
View more work by Shogen and by participants at his calligraphy workshops, often there is a Zen or Chinese poetry theme.
A Stick of Incense
On the altar there are usually three objects: a statue of Manjushri, some flowers and a stick of incense, held in an incense bowl. In this video John discusses how these can be evocative symbols that express something heartfelt about our practice and our lives.