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Kusen

92. Senika

Senika appears in the Nirvana sutra as a kind of fall guy. He’s a Brahmin who believes that the body is the temporary home of the soul, which lives on after the death of the body.

Certainly, his soul has lived on, buried deep in our language. We make statements like ‘I am doing zazen’ or ‘I am living my life’ or ‘I need to be kinder to myself,’ and imagine we are saying something true.

Lying within the buried soul of Senika is the belief that the world is constituted of things, with attributes, acting.

This is the ground of delusion. Unless we can escape from it, buddhist teaching is entirely nonsensical.

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Kusen

91. The Head and the Body

Artwork by Blair Thomson
Kusen 91 collaboration ‘wholeness dispersed no. 1’ by Blair Thomson

Those who fall to the ground, get up relying on the ground.

Interdependent origination is difficult for us because we have an unexamined idea of time: it is like an arrow, going from past to future, yet past, present and future don’t have equal weight. The past is like an accumulating avalanche, flooding into the empty space of the future. The present is the interface between the two. The ground is invisible.

When we sit, there is the opportunity to experience time in a different way. The head of the present moment is balanced on the body of the ground, and it can go anywhere.

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Kusen

90. A Quality of This Moment

Artwork by Blair Thomson
Kusen 90 collaboration by Blair Thomson

Zazen is often called the mountain still state, the balanced state.

What we need to understand is that the state is momentary. It is a quality of this moment.

Not the person, the moment.

This moment rolls in and out of balance. When out of balance, self, world and linear time all arise, together. When in balance, it is not that the self and the myriad things are negated or affirmed but, as the shin jin mei tells us, they cease to exist in the old way.

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Kusen

89. Tsuki

The Buddha’s true dharma body is just like space;

Manifesting its form according to circumstances,

it is like the moon in water

The image of the moon in water is one of the most familiar in Buddhism. The moon is Buddha, the water is the mind. When the water is tranquil, the moon is reflected perfectly.

It’s a dualistic image, obviously, and Dogen radicalises it by saying that the moon’s light is equally reflected, however the water is. What is important is not the form of the moon, but its expression. It illuminates the water. It illuminates the clouds. It illuminates the heavens. It illuminates itself. And apart from this illumination, there is no moon.

In the masterly Tsuki, Dogen revitalises the image as the active inter penetrating expressing everything.

The first line of the poem says something similar, but in a different way. When we come into the dojo and take our place, the space that was there before doesn’t disappear. It isn’t displaced elsewhere. Buddha doesn’t appear and the person vanishes. It isn’t like that. Both arise together.

We are space and person. Buddha and karmic existence. Particular and universal.

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Kusen

James Green, The Recorded Sayings of Zen Master Joshu, page 73

A monk asked, “I wonder if a man of true practice can be perceived by gods or demons or not?”

The master said, “They can perceive him”

The monk said “Where is his fault?”

The master said, “Faults are wherever they are looked for”

The monk said, “In that case, it is not practice”

The master said, “It is practice”

Commentary:

Joshu is difficult to understand because the exchanges are deceptively ordinary, and appear to be nothing much, when actually they are life and death exchanges about the essence of buddhism.

In this case, the monk’s question is rhetorical. “gods and demons” refers to 2 of the 6 realms of samsara, so what the monk is really saying -dressed up as a question – is that zazen is a special state outside samsara. There are similarities with the famous question “does an enlightened person fall into cause and effect or not?”; that is, is an enlightened person free from karma?

In turn, what underpins this is the question “Why do we practice?” The monk’s position would be that the point of practice is personal liberation. And in that one can succeed, or one can fail.
Joshu’s position is radically different; it is that zazen is not a personal practice. It cannot be seen in terms of personal gain or loss. To think that there is a special state is to be blind to the full dynamic functioning of everything- the ‘internality’ which is the imagined site of the special state is as much a part of this as the trees or the traffic. It isn’t a matter of trying and failing, but understanding, through faith, that zazen is the enactment and expression of this dynamic functioning.

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Kusen

From The Recorded Sayings of Zen master Joshu by James Green, page 91, adapted

A monk asked Joshu, “The many blind men felt the elephant and each one spoke about a different part of it. What is the true elephant”

The Master said, “Nothing is unreal. ‘True’ is a dream”

The monk is making reference to a famous passage in the Nirvana Sutra, where various blind men feel different parts of an elephant. One feels the trunk, and believes he is touching a snake. Another feels the leg, and believes he is touching a tree, and so on. The suggestion is that the awakened person would simply see the elephant. That is, he would see reality as it is. The polarity is delusion/ enlightenment.

Joshu’s position is different. For him, it is our nature as human beings to be ‘blind’. That is what we need to wake up to. If we imagine that what we see is ‘true’ then we suffer through our arrogance. If we imagine that what we see is ‘false’ then the self asserts a sovereignty over experience which involves similar arrogance, though hidden, and similar suffering. If all our experience is held like something beautiful and precious, then suffering is diminished.

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Kusen

88. Our Teachers, Walking

We honour our teachers by seeing them not as perfect, balanced, but by seeing them as unbalanced.

And us, unbalanced, balancing them. Momentarily.

The whole lineage, walking through time, always unbalanced. If it was not like this, there would be no Way.

Our teacher takes one step.

We must take the next.

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Kusen

87. Full Expression

In zazen, our normal strategies of repression and distraction don’t work. We have no choice: everything that arises expresses itself. It isn’t me expressing mySelf, and so, it is full expression. Likewise, although the activity of zazen is full and complete activity, it is not the activity of the self.

If we can understand zazen as activity and expression, then we can understand the world similarly

In this sense, zazen is the full expression of Buddhist activity

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Kusen

Practice Intructions

It is of paramount importance for our pelvis to be in the correct position, our weight bearing down on our sit bones.

Posturally, this means that our trunk and head can be balanced, light, activated, vibrant and free of tension.

Energetically, the spine can uncompress itself, there can be a clear connection between the base chakra and the crown chakra.

Breathing wise, it is as if the upper body is directly sitting on our abdominal/pelvic breathing. The in breath isn’t pushing the lower belly out. There is no intentional pushing. It is as if there is an energetic ball at the centre of the pelvis. When we breathe in, the ball expands. The lower belly is pushed out. The area around the sacrum is pushed back. The pelvic floor pushes down.

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Kusen

86. The Scenery of Your Life

Samsara is often described in terms of the six realms. The deluded person falls from one world into the next.

The Chinese called Samsara, the passing between the worlds of experience–Tao, The Way; the same term used by them for Awakening. They didn’t do this because they were short of words.

The practitioner travels between realms, and each realm is the scenery of his life at that moment. He is not caught. He does not fall. Although he travels, he does not choose to go. He does not choose to stay. The deluded person cannot travel. His feet, as it were, are stuck fast to the ground of each realm, and that ground is like a constantly collapsing building.

When we sit, it is as if all the worlds are travelling through us, like clouds through mountains.